https://www.imosver.com/en/ebooks/naive-art-E0002744139E0002744139NAIVE ART12.74Naive art first became popular at the end of the 19th century. Until that time, this form of expression, created by untrained artists and characterised by spontaneity and simplicity, enjoyed little rehttps://www.aglutinaeditores.com/media/resources/public/79/79e0/79e017ff58bd4251b903a12529640464.jpgEbookEbook/PINTURA, ESCULTURA, DANZA Y TEATRODisponiblePARKSTONE INTERNATIONAL000https://www.aglutinaeditores.com/media/resources/public/79/79e0/79e017ff58bd4251b903a12529640464.jpg13.4150.672023/12/289781783103799NATHALIA BRODSKAYA;NATHALIA BRODSKAÏAEbookaño_2023engautor_NATHALIA BRODSKAYA;NATHALIA BRODSKAÏA
Artículo
NAIVE ART
NATHALIA BRODSKAYA;NATHAL
PARKSTONE INTERNATIONAL
PINTURA, ESCULTURA, DANZA
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Naive art first became popular at the end of the 19th century. Until that time, this form of expression, created by untrained artists and characterised by spontaneity and simplicity, enjoyed little recognition from professional artists and art critics. Influenced by primitive arts, naive painting is distinguished by the fluidity of its lines, vivacity, and joyful colours, as well as by its rather clean-cut, simple shapes.
Naive art counts among it artists: Henri Rousseau, Séraphine de Senlis, André Bauchant, and Camille Bombois. This movement has also found adherents abroad, including such prominent artists as Joan Miró, Guido Vedovato, Niko Pirosmani, and Ivan Generalic.