https://www.imosver.com/en/libros/obras-completas-pedro-salinas-06301500200630150020Obras completas Pedro Salinas42.13En un conocido libro, que lleva por melancólico título «Elegía a Gutenberg», Sven Birkerts deduce " que todo lector auténtico es un escritor, y que todo escritor verdadero es un lector, y que todhttps://static.imosver.com/imagenes_small/9788437/978843762417.jpgLibrosLibros/ENSAYOSSin stockCATEDRA000https://static.imosver.com/imagenes_small/9788437/978843762417.jpg0010525956TER00175840010333212001033321344.3552.222007/10/019788437624174Salinas, PedroLibrosaño_2007idioma_SpanishCautor_Salinas, Pedrosaga_BIBLIOTECA AVREA
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Obras completas Pedro Sal
Salinas Pedro
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En un conocido libro, que lleva por melancólico título «Elegía a Gutenberg», Sven Birkerts deduce " que todo lector auténtico es un escritor, y que todo escritor verdadero es un lector, y que toda persona involucrada en el proyecto de su autoconocimiento es lector y escritor de sí mismo. Escritor y lector: constituyen el anverso y reverso del lenguaje, que es a su vez el medio para alcanzar una conciencia más profunda de nosotros mismos " . Podría haberlo escrito pensando en Salinas. Un texto que habla de " anverso y reverso del lenguaje " , de " autoconocimiento " y de " conciencia profunda " , parece describir este copioso y preciso volumen de Ensayos y el alma que los sustenta. Un alma de lector apasionado, de lector inteligente, que, aun sabiendo lo que pasa en la cocina, no se entretiene tanto en las niñerías del telar cuanto en la belleza del tapiz. Como escritor y profesor de literatura conocía las herramientas del oficio y percibía el artificio que subyace a todo arte; como lector, comprometido con la realidad de su tiempo, era capaz de transmitir a otro lector la belleza percibida y de advertir, no sin humor y cierta saludable ironía, sobre los riesgos de una crítica unilateral y desencarnada: " No hay hechura del hombre que no provenga de su vida " , escribió al principio de su «Rubén Darío». Si pudo titular un libro de poesía «La voz a ti debida», tal vez podríamos colocar la misma resonancia de Garcilaso sobre el pentagrama de sus ensayos y titular estas prosas «El oído a ti debido». El oído que tenía para intuir la música de los otros, oculta a veces bajo palabras " apasionadas y desgarradoras " como en el caso de Unamuno (recuérdese " El ' palimpsesto ' poético de Unamuno " ), y el oído atento a la realidad oscura del tiempo que le tocó vivir.1. Ensayos literarios (1924-1940); 2. Jorge Manrique o tradición y originalidad (1947); 3. La poesía de Rubén Darío. Ensayo sobre el tema y los temas del poeta (1948); 4. El defensor (1948); 5. Del Cid a Sor Juana; 6. Ensayos de literatura hispánica moderna; 7. Ensayos misceláneos; 8. Sobre la Universidad Internacional; 9. Sobre su poesía; Apéndice.