https://www.imosver.com/en/ebooks/dada-E0002671335E0002671335DADA11.04Dada shocked the world between the years 1916 and 1922. Dada was not an art movement in the normal sense. It was a storm that broke over the art scene of the time, as the war upon the peoples. They cohttps://www.aglutinaeditores.com/media/resources/public/2d/2dca/2dca7a2a02464133b483830cf9828684.jpgEbookEbook/ENSAYOSDisponiblePARKSTONE INTERNATIONAL000https://www.aglutinaeditores.com/media/resources/public/2d/2dca/2dca7a2a02464133b483830cf9828684.jpg11.6250.582019/12/099781644618721G. APPOLINAIRE;VICTORIA CHARLESEbookaño_2019engautor_G. APPOLINAIRE;VICTORIA CHARLES
Artículo
DADA
G. APPOLINAIRE;VICTORIA C
PARKSTONE INTERNATIONAL
ENSAYOS
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Dada shocked the world between the years 1916 and 1922. Dada was not an art movement in the normal sense. It was a storm that broke over the art scene of the time, as the war upon the peoples. They consciously staged anti-art events. According to Max Ernst, it was the 'outbreak of anger and zest for life' at the same time. The indignation about the monstrous genocide during World War I was great and equally at the 'civilization that had brought it about.' Dada was an international uprising.
The war radically changed the art scene in the vibrant cities of Europe. The international links that had brought forth artistic masterpieces, primarily between France, Italy, Germany and Russia, were abruptly torn apart. The intellectual elite that had stayed at home and those who had come back from the war sobered sought new ways to express their experiences and insights. Among the contributors were Duchamp, Picabia, Taeuber-Arp, Man Ray, Schwitters and Arp.