https://www.imosver.com/en/ebooks/early-italian-painting-E0002744177E0002744177EARLY ITALIAN PAINTING12.74Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Rhttps://www.aglutinaeditores.com/media/resources/public/9b/9b28/9b28b55716024ca4a3a7184f80103c00.jpgEbookEbook/PINTURA, ESCULTURA, DANZA Y TEATRODisponiblePARKSTONE INTERNATIONAL000https://www.aglutinaeditores.com/media/resources/public/9b/9b28/9b28b55716024ca4a3a7184f80103c00.jpg13.4150.672023/12/289781783103928ANNA JAMESON;ANNA JAMESON;GIOVANNI BATTISTA CAVALCASELLE;GIOVANNI BATTISTA CAVALCASELLE;JOSEPH ARCHER CROWEEbookaño_2023engautor_ANNA JAMESON;ANNA JAMESON;GIOVANNI BATTISTA CAVALCASELLE;GIOVANNI BATTISTA CAVALCASELLE;JOSEPH ARCHER CROWE
Artículo
EARLY ITALIAN PAINTING
ANNA JAMESON;ANNA JAMESO
PARKSTONE INTERNATIONAL
PINTURA, ESCULTURA, DANZA
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Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.