https://www.imosver.com/en/ebooks/la-musica-indie-E0002874584E0002874584LA MÚSICA INDIE10.86Un relato vibrante sobre el auge y la caída del indie rock en el siglo xxi y su paso de subcultura a fenómeno pop global.«Un firme candidato a entrar en el canon de los grandes libros sobre rock.» —
https://www.aglutinaeditores.com/media/resources/public/24/245c/245c19e3f9b44437af79d0ad3c0ac16d.jpegEbookEbook/MUSICAEn stockEDICIONES PENÍNSULA000https://www.aglutinaeditores.com/media/resources/public/24/245c/245c19e3f9b44437af79d0ad3c0ac16d.jpeg11.4350.572026/04/019788411004879CHRIS DEVILLE;PILAR DE LA PEÑA MINGUELLEbookaño_2026idioma_SpanishCautor_CHRIS DEVILLE;PILAR DE LA PEÑA MINGUELL
Artículo
LA MÚSICA INDIE
CHRIS DEVILLE;PILAR DE LA
EDICIONES PENÍNSULA
MUSICA
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Un relato vibrante sobre el auge y la caída del indie rock en el siglo xxi y su paso de subcultura a fenómeno pop global.«Un firme candidato a entrar en el canon de los grandes libros sobre rock.» —
Tom Beaujour, coautor superventas de
Lollapalooza y
Nöthin' But a Good Time
«Chris DeVille no solo escribe una historia extremadamente entretenida y minuciosa de nuestra música favorita, sino que consigue contar la crónica de nuestras vidas a lo largo de las tres últimas décadas. Un 9,5. Le resto medio punto únicamente por la cantidad de veces que tuve que dejar el libro para poner una canción.»
—Dave Holmes, editor de
Esquire y autor de
Party of One
Fuera cual fuera tu puerta de entrada al indie rock, una vez dentro, escuchar esa música era como formar parte de un club secreto. En este libro, el periodista cultural Chris DeVille reconstruye la edad dorada del género, desde los primeros años dos mil hasta la década de 2010, antes de que el
streaming cambiase la música para siempre.De la mano de bandas como Arcade Fire, Radiohead o The 1975, DeVille viaja al pasado para rememorar momentos decisivos de la cultura pop que hicieron posible el auge del indie: los blogs musicales, las descargas en MP3 o la irrupción de series como
The O.C. El resultado es un ensayo cultural que trasciende a discos y bandas, que se pregunta cómo lo alternativo dejó de ser minoritario, quién decide lo que es
cool y cómo una escena supuestamente
underground dio forma a nuestras vidas.