https://www.imosver.com/en/ebooks/the-pop-art-tradition-responding-to-mass-culture-E0002744727E0002744727THE POP ART TRADITION - RESPONDING TO MASS-CULTURE15.29This book offers a radically new perspective on the so-called ‘Pop Art’ creative dynamic that has been around since the 1950s. It does so by enhancing the term ‘Pop Art’ which has always been recognishttps://www.aglutinaeditores.com/media/resources/public/e4/e4b7/e4b7c8191ec5463b82b74f2da7a4c05e.jpgEbookEbook/ARQUITECTURADisponiblePARKSTONE INTERNATIONAL000https://www.aglutinaeditores.com/media/resources/public/e4/e4b7/e4b7c8191ec5463b82b74f2da7a4c05e.jpg16.0950.82019/12/099781783107490ERIC SHANESEbookaño_2019engautor_ERIC SHANES
Artículo
THE POP ART TRADITION - R
ERIC SHANES
PARKSTONE INTERNATIONAL
ARQUITECTURA
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Synopsis THE POP ART TRADITION - RESPONDING TO MASS-CULTURE
This book offers a radically new perspective on the so-called ‘Pop Art’ creative dynamic that has been around since the 1950s. It does so by enhancing the term ‘Pop Art’ which has always been recognised as a misnomer, for it obscures far more than it clarifies. Instead, the book connects all the art in question to mass-culture which has always provided its core inspiration. Above all, the book suggests that this Mass-Culture Art has created a new Modernist tradition which is still flourishing. The book traces that tradition down the forty and more years since Pop/Mass-Culture Art first came into being in the 1950s, and locates it within its larger historical context.
Naturally the book discusses the major contributors to the Pop/Mass-Culture Art tradition right down to the present, in the process including a number of artists who have never previously been connected with so-called ‘Pop Art’ but who have always been primarily interested in mass-culture, and who are therefore partially or totally connected with Pop/Mass-Culture Art. The book reproduces in colour and discusses in great detail over 150 of the key works of the Pop/Mass-Culture Art tradition. Often this involves the close reading of images whose meaning has largely escaped understanding previously. The result is a book that qualitatively is fully on a level with Eric Shanes’s other best-selling and award-winning writings.