https://www.imosver.com/en/libros/algo-supuestamente-divertido-que-nunca-volvere-a-hacer-CIM0051798CIM0051798Algo supuestamente divertido que nunca volveré a hacer23.65Este artículo es una de las radiografías más agudas e irreverentes de la cultura americana de fin de siglo, en la que se entremezclan la familiaridad, el asombro y una mordacidad descabellada. Foster https://static.imosver.com/imagenes_small/9788439/978843974547.jpgLibrosLibros/SOCIOLOGIAEn stockRANDOM HOUSE000https://static.imosver.com/imagenes_small/9788439/978843974547.jpg00107781100010768420CIM0069510001079765524.951.252025/05/229788439745471Wallace, David FosterLibrosaño_2025idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Wallace, David Fostersaga_Random House
Artículo
Algo supuestamente divert
Wallace David Foster
RANDOM HOUSE
SOCIOLOGIA
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Synopsis Algo supuestamente divertido que nunca volveré a hacer
Este artículo es una de las radiografías más agudas e irreverentes de la cultura americana de fin de siglo, en la que se entremezclan la familiaridad, el asombro y una mordacidad descabellada. Foster Wallace elabora enAlgo supuestamente divertido que nunca volveré a hacer una postal gigantesca basada en su experiencia en un crucero de lujo por el Caribe. Lo que a primera vista parece ser un simple viaje «para relajarse», en manos de un humor delirante y un cinismo corrosivo acabará convirtiéndose en el horror más absoluto. Foster Wallace reflexiona sobre la presión para relajarse y disfrutar y cómo las indulgencias del viaje le llevan a una introspección autoflagelante.La crítica ha dicho... «La obra de no ficción más brillante y divertida que se ha escrito en los últimos años.» John Glassie, Time Out New York «Animado por una prosa maravillosamente exuberante [...] este volumen confirma al señor Wallace como uno de los talentos más destacados de su generación.» The New York Times«Wallace escribe con una intensidad que transforma un reportaje errático en una forma sui generis de filosofía.» Kirkus Reviews «Su instinto para reproducir lo coloquial avergonzaría a maestros como Pynchon y DeLillo, y la sobriedad humana que confiere a sus temas, de ficción o de no ficción, deberían ser un modelo para cualquiera que escriba crítica cultural, tanto en la forma de relatos como en ensayos como estos.» Publishers Weekly