https://www.imosver.com/en/libros/el-gran-libro-del-flamencohistoria-estilos-interpretes-99700182859970018285El gran libro del flamenco:historia, estilos, interpretes53.11VOL. I: HISTORIA . ESTILOS I. HISTORIA DEL FLAMENCO Los orígenes de la música autóctona más rica de occidente La época de los cafés cantantes y sus destacados intérpretes La época teatral del cante flhttps://static.imosver.com/imagenes_small/9788488/978848801595.jpgLibrosLibros/MUSICASin stockCALAMBUR000https://static.imosver.com/imagenes_small/9788488/978848801595.jpg00100174239970019010ATE004829655.9152.82011/05/019788488015952Rios Ruiz, ManuelLibrosaño_2011idioma_SpanishCformato_Piel / Lujoautor_Rios Ruiz, Manuelsaga_SIN COLECCION
Artículo
El gran libro del flamenc
Rios Ruiz Manuel
CALAMBUR
MUSICA
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Synopsis El gran libro del flamenco:historia, estilos, interpretes
VOL. I: HISTORIA . ESTILOS I. HISTORIA DEL FLAMENCO Los orígenes de la música autóctona más rica de occidente La época de los cafés cantantes y sus destacados intérpretes La época teatral del cante flamenco El antiflamenquismo del siglo xix La nueva etapa o de revalorización Hacia el futuro II. LOS ESTILOS FLAMENCOS Las tonás La caña El polo La serrana y la liviana La siguiriya La soleá (a través de una glosa al cante de Fernanda de Utrera) Los tangos Las cantiñas Los cantes de Levante La petenera La bulería Los campanilleros La farruca El garrotín La saeta Los cantes de ida y vuelta III. coplerío tradicional Soleares y bulerías de tres versos Soleariyas Soleares de cuatro versos Siguiriyas gitanas Polos y cañas Martinetes Tonás y livianas Deblas Peteneras IV. vocabulario del flamenco V. BIBLIOGRAFIA FLAMENCA VI. discografía FLAMENCA seleccionada VOL. II: intérpretes I. LAS GRANDES FIGURAS DEL CANTE FLAMENCO II. LAS GRANDES FIGURAS DEL BAILE FLAMENCO III. LAS GRANDES FIGURAS DE LA GUITARRA FLAMENCA Indice ONOMASTICO Y TOPOGRAFICO MANUEL RIOS RUIZ está reconocido unánimemente como uno de los más hondos y cabales conocedores del arte flamenco. Es crítico de flamenco de ABC y columnista de Diario de Jerez. Co-fundador de la Cátedra de Flamencología de Jerez (Adscrita a la Universidad de Cádiz), miembro del Jurado Calificador del Concurso Nacional de Arte Flamenco de Córdoba y de los Premios Nacionales de Flamenco de la mencionada Cátedra. Por su obra poética ha recibido el Premio Hispania de las Letras del Club Universitario Hesperia de Nueva York. En 1972 obtuvo el Premio Nacional de Literatura del Ministerio de Cultura por su libro El oboe. Como ensayista ha escrito, entre otros, Introducción al cante flamenco, Rumbos del cante flamenco, De cante y cantaores de Jerez, Aproximaciones a la Tauromaquia, Ayer y hoy del cante flamenco, y Maestros del flamenco, y en colaboración con J. Blas Vega las obras monumentales Diccionario Enciclopédico Ilustrado del Flamenco y Maestros del Flamenco.