https://www.imosver.com/en/libros/escaner-31003200463100320046Escáner7.51Escritor realista, Caride fai nestes relatos a crónica de sucesos da nosa sociedade, facéndoa dende dentro, pola carne e polo sangue. Nestes quince relatos de Escáner hai unha visión de conxunto do sehttps://static.imosver.com/imagenes_small/9788483/978848302891.jpgLibrosLibros/NARRATIVAEn stockXERAIS000https://static.imosver.com/imagenes_small/9788483/978848302891.jpg00105874060010771495CIM004450300105251587.950.399788483028919Caride, RamónLibrosidioma_GalicianGautor_Caride, Ramónsaga_PETO
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Escritor realista, Caride fai nestes relatos a crónica de sucesos da nosa sociedade, facéndoa dende dentro, pola carne e polo sangue. Nestes quince relatos de Escáner hai unha visión de conxunto do ser humano. Nos catro primeiros relatos, inéditos ata o momento, ("FotoShock", "Carta a Berta", "Hendra" e "Viaxe de Volta"), están tódalas tendencias da narrativa curta de Caride, desde o realismo, a denuncia, o compromiso e mesmo a hiperrealidade de "FotoShock", un texto fondamente narrativo e fondamente reflexivo, que escarva tanto na alma humana como na situación do mundo; ata a ciencia-ficción de "Hendra", unha ciencia ficción tanto ao xeito do cinema como biolóxica ou psicolóxica; pasando polo inusual final feliz de "Viaxe de volta", esa case segunda oportunidade que só se lles concede aos felices como Ulises, e pola amarga crítica ao mundo literario, tan inzado de oportunistas e alpabardas, da "Carta Berta".O quinto relato, "Lume da memoria", é a contribución do autor a unha certa, e fecunda, literaria da memoria, da historia das xentes humildes pero arrichadas, que non se limita á guerra civil e as súas consecuencias."Camiño longo", é un drama interior, opresivo, onírico, fantástico, perfectamente acorde coas obras mestras do xénero."As formas gastadas dos soños" é ese pesadelo repetitivo, mecánico, no que afloran odio, autoodio, xenofobia e a procura da identidade. Un relato no que Caride amosa canto partido se lle pode tirar a unha nota de sucesos e cantas capas ten esa cebola que chamamos realidade. O realismo suxo e deprimente roxe en pezas como "Nocturno", e "L.H", o relato que nos ofrece a ollada do asasino lunático. "Interiores" é unha pequena peza do fantástico, onde se reflexiona sobre as conexións entre realidade e ficción, entre a persoa e o escritor, entre o creador e o personaxe.No último relato, "O camiño", un exemplo da literatura do marabilloso, que ben podería ser tomada por ciencia ficción sen selo.