https://www.imosver.com/en/libros/los-cornudos-del-viejo-arte-moderno-63100102346310010234Los cornudos del viejo arte moderno6.6Durante toda la década de los cincuenta Dalí anduvo preocupado por el modo, para él servil, en que los críticos se sometían ciegamente a la dictadura de las vanguardias artísticas y, en particular, a https://static.imosver.com/imagenes_small/9788483/978848310689.jpgLibrosLibros/ARTE, ARQUITECTURA, CINE Y FOTOGRAFIASin stockTUSQUETS000https://static.imosver.com/imagenes_small/9788483/978848310689.jpg00105880560010584117DIG001304100103123926.9550.359788483106891Dalí, SalvadorLibrosidioma_SpanishCformato_Tapa blanda o Bolsilloautor_Dalí, Salvadorsaga_FABULA
Artículo
Los cornudos del viejo ar
Dalí Salvador
TUSQUETS
ARTE, ARQUITECTURA, CINE
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Durante toda la década de los cincuenta Dalí anduvo preocupado por el modo, para él servil, en que los críticos se sometían ciegamente a la dictadura de las vanguardias artísticas y, en particular, a la más «moderna» corriente abstracta en la pintura. Su opinión sobre la crítica y los críticos de la época la dio a conocer en panfletos, artículos, en su diario (Diario de un genio, Andanzas 11 y Fábula, 51) y en textos cargados de ironía como Los cornudos del viejo arte moderno, cuyo borrador redactó en francés durante una de sus travesías por el Atlántico en 1956, y que publicó ese mismo año en Francia tal como lo reproducimos ahora aquí. Sorprende comprobar hoy en cuántos aspectos daba Dalí en el blanco, con su peculiar visión paranoico-crítica del arte y exponiéndose a la mofa de los implacables críticos «ditirámbicos» entregados a lo moderno por lo moderno. Según Dalí, desde que los críticos se unieron «a la vieja pintura moderna», ésta no ha dejado de ponerles cuernos: con la fealdad, con la técnica y con el abstracto?