https://www.imosver.com/en/libros/relatos-de-mar-y-tierra-64310304786431030478Relatos de mar y tierra12.3Todos los relatos del creador de Maqroll el Gaviero. Alvaro Mutis (1923) nació en Bogotá, Colombia, y es uno de los grandes creadores de la literatura hispanoamericana actual. A lo largo de su carrerahttps://static.imosver.com/imagenes_small/9788483/978848346531.jpgLibrosLibros/NARRATIVASin stockDEBOLSILLO000https://static.imosver.com/imagenes_small/9788483/978848346531.jpg001039466800103946980010394699ALO009367412.9550.652012/04/199788483465318Mutis,AlvaroLibrosaño_2012idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Mutis,Alvarosaga_CONTEMPORANEA
Artículo
Relatos de mar y tierra
MutisAlvaro
DEBOLSILLO
NARRATIVA
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Todos los relatos del creador de Maqroll el Gaviero. Alvaro Mutis (1923) nació en Bogotá, Colombia, y es uno de los grandes creadores de la literatura hispanoamericana actual. A lo largo de su carrera ha recibido, entre otros, el Premio Nacional de las Letras (1974), el Premio Nacional de Poesía (1983), el Premio Xavier Villaurrutia (1988), el Prix Médicis Etranger (1989), el Premio Príncipe de Asturias de las Letras (1997), el Premio Reina Sofía de Poesía Iberoamericana (1997) y el Premio Cervantes de Literatura (2001). Entre su extensa obra destacan los libros de relatos Diario de Lecumberri (1960), La mansión de Araucaíma (1973) y La muerte del estratega (1990); las novelas de la saga Maqroll el Gaviero: La nieve del almirante (1986), Ilona llega con la lluvia (1988), Un bel morir (1989), La última escala del tramp steamer (1988), Amirbar (1990), Abdul Bashur, soñador de navíos (1990) y Tríptico de mar y tierra (1993), y su poesía, casi toda reunida en la antología Summa de Maqroll el Gaviero. 1948-1997 (1997). Nadie como Alvaro Mutis ha conjugado tan genuinamente en prosa la infusión de vida, el dandismo, la precisión intelectual y los más oscuros sabores de la lírica. Se inició en la narrativa breve, que presentamos reunida en este volumen, con Diario de Lecumberri, donde tamiza -hasta convertirlas en una ficción desolada pero luminosa sobre la condición humana- sus experiencias en la cárcel mexicana conocida como el «Palacio Negro». En La mansión de Araucaíma sugiere un drama gótico en una hacienda cuyos habitantes se desenmascaran al ritmo de una prosa sensual y feroz. Con los relatos finales de La muerte del estratega, el autor colombiano traza sus conjeturas sobre la condición simultánea de la vida y la muerte, mientras que en Los textos de Alvar de Mattos, así como en los «Intermedios», nos regala una serie de juegos lúcidos sobre las hebras de la Historia. El libro se cierra con «Un rey mago en Pollensa», relato inédito en el que Mutis evoca, a modo de epílogo vital y literario, un episodio perdido de Maqroll el Gaviero.